Last weekend I was invited to Birmingham and Ilkley Literature Festivals. In Birmingham, I was on a panel with three novelists, and we were asked to reflect on how our reading and writing lives were linked. I was struck by how diligently these other authors work at their fiction, making reading-lists and doing extensive background research to get the setting of their books authentic. As my book was about me, in my own life, I had none of these issues; I didn’t even read other memoirs while I was writing it, to avoid getting confused about style and structure.
Which is not to say that my reading hasn’t had a big influence on my writing. I read a large amount of fiction, as well as the occasional memoir or biography, and mostly I am looking for an emotional connection to the characters and an absorbing, well-told story. A reflection of life, through the eyes of another, which somehow teaches me more about myself. In writing my book, I hoped that by speaking very clearly and honestly in my own voice, I would both draw readers into my story and be able to support them in theirs.
In Ilkley, I was reading with Don Paterson, who has just published a book about Michael’s poems, called Smith, in which he gives a close reading of fifty poems and tries to unpack the layers of meaning, allusion, worlds-within-worlds, that make these poems so incredible, and yet often still so accessible on a simple reading. Like a beautiful tune with a complex harmonic structure and many hidden counter-melodies.
The audience was an interesting mix of poetry fans and people who were there because they were interested in my subject, grief. A woman who had recently lost a partner said during the question time that she thought my book ought to be ‘required reading.’ Later I chatted with her and others about how important it is for the emotional truths of our lives to be spoken about openly, alongside their fictional expression. I think this is more and more understood – there have been five memoirs of widowhood published this year that I know about – although it still hasn’t really translated into being comfortable with each others’ emotional expression face to face.
But the reactions to my book give me the feeling that I have managed to do what I wanted – reached out and touched people in their hearts, from my heart. It’s one of the things I am most proud of in my whole life.
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