Today is All Souls Day and next weekend is Remembrance Sunday. Despite the unseasonably warm weather this year, there is always something about this time that brings our dead closer: damp mistiness in the mornings, smoke in the darkening evenings, the slow dying back of the year.
I’m reading Marion Coutts’ memoir, The Iceberg, about her husband’s death from a brain tumour – a long poem of love and loss, a beautifully written lament for ‘the obliteration of a person’. Her book tells the ‘before death’ story whereas I had to write of the aftermath, because of Michael’s so sudden death, but I sense that we trod much of the same path.
At one point, she imagines fashioning an outlandish costume that would be an outward display of her new role in life: wearing her emotional journey for all to see. In a way, by writing the book, she has done this – made visible what is so often invisible in our world.
Coutts is an artist and this piece of hers, For the Fallen is from 2001, before either of our lives were touched by the brutality of death. It speaks to me because I, too, am fallen – as is anyone who has walked the path of grief. We vaulted into the air, tried to defy gravity, but were brought crashing hard to the ground by the reality of our mortality and that of those we love. That is why Remembrance touches us so deeply, I think – we are perhaps not mourning so much for the lives of others, as for the loss of our own blissful ignorance of how fragile life is.
The Iceberg Marion Coutts, Atlantic Books 2014
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